Sunday, 31 January 2010

Edge of darkness

There are trailers on TV at the moment for the latest Mel Gibson film, a remake of "Edge of Darkness".

I heard a review of it on "Front Row", the daily arts show on BBC Radio 4, a couple of days ago. It sounded as if it could be reasonable, but throughout the piece, the reviewer couldn't help but compare it with the original and the general impression was one of disappointment.

As luck would have it, I was at the library the day after I heard this review and was delighted to discover that they had the DVD of the original, award-winning 1985 TV series.
I grabbed it.
For a drama that was made twenty-five years ago, it is amazing how well it has aged.

I remember being thoroughly gripped by the series when it was first broadcast and what an outstandingly unusual drama it was for its time. The story, written by Troy Kennedy Martin, follows Craven, a detective, as he tries to come to terms with the murder of his daughter. He is drawn into a dangerous covert struggle between the burgeoning nuclear power industry and organised environmental activists. The quality of the cast, the writing and the production values set this series apart from anything else that was around at the time; it didn't do it any harm to have theme music by Eric Clapton and Michael Kamen either.

I'm not about to suggest that you don't go and watch the new version of "Edge of Darkness", but I'd definitely encourage you to get hold of the DVD of the original.

...and if you want to hear what the music was like, have a listen to this...

 

2 comments:

  1. Not sure if it is my kind of film, but Eric Clapton is just superb, the best in the world, thanks for reminding me. Ilona

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  2. Nowadays, we take the use of rock music in mainstream TV and film drama for granted, (Example: Journey's, "Don't stop believing" in the closing episode of "The Sopranos") but in the 1980s the idea of a serious drama having something that was half-way to pop music on the soundtrack was a radical step.
    Getting Mssrs. Clapton and Kamen was a major coup and a BAFTA winning master-stroke.

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